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Visual pleasure and gonzo pornography: Mason’s challenge to convention in ‘the hardest of hardcore’

机译:视觉愉悦和奇闻趣事的色情内容:梅森在“最铁杆中的硬汉”中挑战常规

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摘要

© 2016 Informa UK Limited, trading as Taylor & Francis Group. This article focuses on the work of enigmatic female gonzo director Mason, and examines her filmic negotiations of genre convention within the American pornographic industry. Close analyses of her films reveal a rich, textured set of filmic strategies which complicate conceptions of what mainstream gonzo pornography looks like and how it functions. The article presents an overview of her career to date, examines the articulation of her relationship with her female performers, and discusses her authorial tropes. It asks how her films differ from those we might have come to expect from male directors, and questions how we might account for her female gaze (as both producer and consumer) upon extremely hardcore scenes. In particular, the article demonstrates that as Mason navigates, negotiates, and negates a variety of gonzo conventions, her work is best understood as a series of responses to the norms of her chosen genre.
机译:©2016 Informa UK Limited,以Taylor&Francis Group的身分经营。本文重点介绍神秘的奇闻趣事女导演梅森(Mason)的工作,并考察她在美国色情业中关于流派惯例的电影谈判。对她的电影进行的仔细分析发现,电影策略丰富而丰富,这套概念使人们对主流的奇闻趣事色情作品的外观及其运作方式的概念变得复杂。这篇文章概述了她迄今为止的职业,考察了她与女演员的关系,并讨论了她的创作倾向。它询问了她的电影与我们期望男导演的电影有何不同,并质疑我们如何在极端顽固的场景中解释她的女性凝视(作为制片人和消费者)。尤其是,该文章表明,在梅森浏览,协商和否定各种奇闻趣事的惯例时,最好将她的作品理解为对所选风格规范的一系列回应。

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    Lodder, M;

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  • 年度 2016
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